Considering the marks of removal – Memory, Loss and the Human Condition

I work extensively with a 10a surgical blade for most of my work. It is my most trusted tool, and has become intrinsic to every work I do… whether that is apparent in the final piece or not.

But I have started to question, what about the sharp precision of that cut line? Its clean definite mark conveys something… but does it really convey what I want in this current work? How would it be if the marks were a little more… uncontrolled, rougher, dirtier?

I have worked with burning before… but never with so much risk. The previous work to have received such a treatment, has been the finishing touches in controlled situations, where the burning can only travel a certain way until it has to extinguish.

This work is a little different. The singular pages are not treated before being introduced to the heat. It is difficult to control the timing and pressure of contact to create marks that are legible and at the same time preventing complete obliteration of the page, save for the ash at the end (I have a fair few examples!).

This is a process that feels right and appropriate to the themes behind the work. It is not fully resolved as yet, but, I feel, important to document these none the less.

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