We are delighted to announce we will be throwing open the doors at Langley End Studio and celebrating our new premises with an open day. The fabulous Thornhill Jewellery located on the same …
Source: Open Day at Langley End Studio
We are delighted to announce we will be throwing open the doors at Langley End Studio and celebrating our new premises with an open day. The fabulous Thornhill Jewellery located on the same …
Source: Open Day at Langley End Studio
So, I made a visit to a rather fabulous group of young people from the inspiring Blanche Nevile school for deaf children last year after a class teacher, Lucy Christian, contacted me to enquire about me and my work and whether I would be interested in going in to offer some workshops and engagement. They were working towards an illustration project for Warhorse / WW1, using book art as inspiration. Unfortunately, I was just too snowed under with other commitments to be able to fulfil this, but I was able to pop in for an hour, to share my work, have a chat and drink tea (always a useful bargaining tool!).
It was for me a fabulous way to spend an hour. The young people Sama, Juelle, Xamse, Mark and Shihab were so engaged, motivated, sensitive and actually so wonderfully excited about the possibilities of book art. I was so inspired by each and every one of them I met. All the engagement was so individual, some were more intrigued about the practicalities of book page manipulation some more focussed on the ideas behind the work. One particular young man absolutely blew me away. He seemed interested in a particular work, a rather personal work that would perhaps be difficult to explain in that setting. I needn’t have worried… the delight was that he told me how it made him feel, and what it meant to him. What a joy, and so interesting that it seemed to impact him in a similar way to where my expression had come from.
So. I have been thrilled to continue to stay in contact with Lucy and through her, the young people I met. In particular, I have been really interested in how they got on with the project and how my visit may have influenced their illustrations.
You can probably guess how thrilled I was to receive these images of their final work, and also to note that they had also been working with a graphic designer, namely Matthew Jones.
So here is their work. I think it is all so wonderfully considered and uniquely executed.


I really enjoy Xamse’s use of collage paper on book text as an illustrative technique for the poppies. I particularly like the detail of the cannon wheels that have been very carefully and precisely cut away from the book page. Works well as almost a mirrored front and back cover.


I love this work by Shihab. What I particularly enjoy is seeing the original against the final work and seeing the process clearly. In the illustration the work is much more three-dimensional with an illustrated bit or stirrup used as a framing device. I am particularly attracted to the three-dimensional poppies that are so delicately suspended. In the final poster, the decision was clearly made to adopt a more hand drawn style, replicating the framing device and also extending to a drawn horse (not an easy animal to draw).


Sama really became interested in the practical application of paper, and was very keen to explore while I was there, different ways to manipulate paper. My goodness, she certainly got the hang of it. Clearly adopting a three-dimensional approach, utilising rolling techniques, this design is beautiful, and I particularly enjoy the suggested horse outline, defined by the book page curls. The final poster, though loosing a little of the richness of the original illustration due to the black and white approach, combines a background that brings energy and drama as well as working well across the colour choice of the poster as a whole.


I really enjoy the cleanness of Mark’s approach as well as the graphic illustration of the horse (quite beautifully executed), utilising a book page as the medium. The final poster really seems to come alive with what appears to be a suggestion of burning around the edge.


And last but not least, this work from Juelle. I really enjoy the use of three-dimensional and two-dimensional approaches from Juelle, exploring what paper can do. Particularly impressed with the kusudama flowers, not an easy thing to create. I really enjoy the contrast of those against the poppies and the book page cut barbed wire.
Hurrah for all teachers like Lucy Christian, and I have been most fortunate of meeting a fair few, who understand the importance of thinking outside the box and offering inspiring encounters. It is just as inspiring for me too… thank you Sama, Juelle, Xamse, Mark and Shihab for that gift!
So… we are up and running at The Lewis Gallery, in the historic setting of The Rugby School.
We (Paper Scissors Stone) are delighted at how the work is responding to the space and the works with each other. It really is a fabulous gallery with lots of space and different flavours of environments, dictating interesting curating decisions that we found particularly rewarding.
Some of the Paper Scissors Stone artists, myself included, will be on site on Saturday 28th November 11am-2pm. Take the opportunity to pop along to see the work and have a chat too.
It would be lovely to see you.
How do I get there? Click here for map Turn into the gateway just after the pedestrian traffic lights on Barby Road and follow the road round. Posters are attached to the gates.
School map Note: Access from Barby Road only.
🙂
This time next week, I’ll be cleaning off the glass, checking off my list(s) and finalising the space for this, the last Paper Scissors Stone show this year, and my goodness, it’s a big one!
A fabulous gallery space, The Lewis Gallery, in the historically beautiful setting of The Rugby School. I’m very excited to see the work together in this large space, and delighted to have the fabulously talented Mark L’Argent join us as guest Artist.
It has been a really good year working with Hillary Taylor, Caroline Lumb and Janie Graham on this project. I think you’ll see the results of artists conversations and individual responses to the beautiful material that is paper.
So, very much hope to see you there. All the artists will all be at the opening reception, Friday 6th November 7-9pm ready with conversation and light refreshment.
Well, it has been quite a while since my last post. Life has, as ever, interfered with everything else i’d rather have been doing for quite a while now.
Hey, ho… all necessary experiences, some good, some not quite so good… no doubt they will all inform my practice at some stage or the other.
One of the more positive shifts of late, has been a studio move. I have been so very lucky in sharing my work space with some supremely talented artists in the past, not only at The Forge, as a Digswell Arts fellow but more recently, with Jojo Taylor, Anji Archer, and Christina Bryant. My old studio was a lovely space, but the location was never idyllic and the studio was a little too dark, despite the beautiful window (rather a carrot dangler). I have also found I have out grown the space, size wise.

That great fortune of a working environment with talented artists and generally all round lovely people continues with a new studio sharing with the fabulous Gill Ayre and Karen Picton.
The move has enabled a real kick start in some interesting work for me and lots of ideas bouncing around. The location works better, slightly nearer to home, on a farm with great scenery, great ‘roomies’ lovely neighbours and a place to picnic at lunchtimes!
I’m sure winter will prove a challenge, but I am quite well adapted to the extremes of an unheated environment. At present, I am really enjoying the sun streaming in the window, all through the day, illuminating the space delightfully.



A little sample of work in progress. This follows on from some very recent pieces, still on show at Space2 Gallery, Watford Museum until 29th August. This new work will be shown at the Lewis Gallery, Rugby School, Warwickshire in November and December this year as the continuation of the Paper Scissors Stone touring exhibition.


As ever, the remnants of my process delight almost as much as the work itself… or is that just me and my preoccupation with anything papery!

Next venue Space2 – Watford Museum
Just recovering my energies from another fabulously engaging weekend at The Forum in Norwich for Turn the Page, where once again I was selected to show alongside some incredibly talented book artists and engage in all sorts of intriguing, enlightening and sometimes heart warming conversations with visitors and exhibitors alike.
For my own work, I had adopted a slightly different approach this year, focussing on one installation piece, consisting of five elements – entitled, Nothing to Nobody.
“…nothing, the negative, the empty, is exceedingly powerful. Nothing is more fertile than emptiness… You can’t have something without nothing.”
Alan Watts
Continuing an exploration of the notion of ‘nothingness’, first investigated for a group exhibition in 2014 by exploring emotional responses to ‘the space in-between’, my practice continues to focus on the frustrations of human communication working with old manuscripts that bear the physical imperfections and aromas of past human handling and thus retain elements of their human presence. The book or page becomes a tool for looking inwards to our evolving personal narratives rather than the read contents of the book as text.
This further evolution of the work, sees the original book ‘Nothing to Nobody’ de-constructed, with all elements of the book united with the work shown last year ‘Self fulfilling prophecy’ which holds all the text from the main novel quilled, encased in clamped acrylic. The narrative expands by combining this work with all other elements of the original book. The work questions our sense of self, focusing on disconnection, alienation and silenced voices, be it from external pressures and/or internal restrictions.
A particular highlight for me this year was to be showing alongside the incredibly talented Brian Dettmer, a New York-based artist known for his detailed and innovative sculptures with books and other forms of antiquated media. Dettmer’s work has been exhibited internationally in numerous solo and group exhibitions at galleries, museums and art centres and has been an inspiration of mine for sometime now.
Other highlights were as follows, in no particular order…
Jen’s work always resonates for me. Her work has great depth and is executed precisely and professionally. This kind of work moves me, and this years piece was no exception.
I just had to keep going back to look at Dizzy’s work. I was drawn in by the innovative approach and the visual aesthetic of the edible book forms. Delicious work!
And finally, I was really rather surprised about how I would experience Two Coats Colder, a quirky progressive acoustic folk band performing a mix of self penned traditional & contemporary songs at Turn the Page for the weekend. I’m not normally easily engaged in folk music as a genre. However, They were actually sublime. I really enjoyed it and a total treat for me to be able to hear them.
🙂
It’s been a busy weekend finalising work for Turn the Page 2015. I am really excited again to be a part of this fantastic event. I always find something unexpected, exciting and really rather delicious to experience, I am sure this year will be no different. Are you coming? If so, don’t forget to say hi… I will be there both days.
Well worth the visit!
Absolutely thrilled to be in this months ‘Hertfordshire Life‘, a three page article by Caroline Foster. A really well written article… she has definitely ‘got me’ and my work, how lovely!
Also highlights the current show ‘Paper, Scissors, Stone – Taking paper beyond the page’ at the beautiful setting of Parndon Mill gallery, Harlow.
This will be the last day of the show and all exhibiting artists will be on site between 2-4pm as well as an African Drum group (including yours truly) to provide some uplifting vibrant music on the green (or in the prioject space if the weather is against us). Do come along if you are free… this should be fun, (dancing is encouraged!).
Thanks to the ever talented Janie Graham for putting this onto my radar… love it!
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